And now, Denver is lonesome for her heroes.
Beat Night on the intertubes.
Thursday, October 04, 2007
Monday, October 01, 2007
Sunday, September 30, 2007
This pretty much sums up the Beat as I knew it:
"[On the Road] is not about hipsters looking for kicks, or about subversives and nonconformists, rebels without a cause who point the way for the radicals of the nineteen sixties. And the book is not an anti-intellectual celebration of spontaneity or an artifact of literary primitivism. It's a sad and somewhat self-consciously lyrical story about loneliness, insecurity, and failure. It's also a story about guys who want to be with other guys."
--"Drive, He Wrote: What the Beats were about" by Louis Menand, The New Yorker, Oct. 1, 2007
(the article also has a nice section on the homoerotic tension that was most often realized through girlfriend swapping)
"[On the Road] is not about hipsters looking for kicks, or about subversives and nonconformists, rebels without a cause who point the way for the radicals of the nineteen sixties. And the book is not an anti-intellectual celebration of spontaneity or an artifact of literary primitivism. It's a sad and somewhat self-consciously lyrical story about loneliness, insecurity, and failure. It's also a story about guys who want to be with other guys."
--"Drive, He Wrote: What the Beats were about" by Louis Menand, The New Yorker, Oct. 1, 2007
(the article also has a nice section on the homoerotic tension that was most often realized through girlfriend swapping)
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